“Conscience doth makes cowards of us all”, said William
Shakespeare in Hamlet, the most adapted and enacted play in the history of drama.
Capturing the conscience of a nation in an engaging plot and bringing it to life
with compelling performances on screen is an effort not many film makers are
capable of making. I presume it is due the fear of being perceived as a coward, especially in sensitive issues like Kashmir. Hamlet, the prince of Denmark tells his friend Rosencrantz
in the play- “There is nothing good or bad in this world but thinking makes it
so.” Only a few directors are capable of achieving this objectivity through their
cinema. Right here, before we set the context for this piece, recall the movies
made on Kashmir since Bollywood started making them. Right from Shammi Kapoor’s
twerking in “Chahe koi mujhe junglee kahe” to “bumbro bumbro” in Mission
Kashmir, Kashmir has either been portrayed as a honeymooner’s paradise or a
terrorist breeding ground. The rest of India’s understanding of
Kashmir is confined to just that.
When a film maker like Vishal Bharadwaj adapts a classic of
Shakespeare to what Jehangir, the Mughal emperor described as “Heaven on Earth”,
it arises a sense of curiosity. The trailers had the right amount of intrigue and
showed a glimpse of powerful acting performances. It was a movie which needed
to be watched. It was only after I came out of the theatre hall, I decided to write about it.
But before we go into the nuances of the movie, I believe it is important to delve a little deeper into present day Kashmir.
Why has Kashmir been alien to the rest of India?
The Indian Independence act, 1947 states- “the suzerainty of His Majesty over the
Indian States lapses, and with it, all treaties and agreements in force at the
date of the passing of this Act between His Majesty and the rulers of Indian
States”, giving a free hand for the rulers of the Indian princely states to
choose sides between the newly created nations of India and Pakistan. The ruler
of the state of Jammu and Kashmir was Maharaja Hari Singh, not very well known
for his shrewdness. He ruled over a state with a majority Muslim population by
discriminating against them in the state administration. Not a very wise thing
to do. But he was a Maharaja, one could not question His Majesty!
The Maharaja could not wake up to smell the coffee. Half of
his territory was annexed by the invading tribesmen from Pakistan in the winter of 1947 which forced him to sign the “Instrument of Accession” with India thus sowing the seed of
conflict. Indian and Pakistani leaders right from Nehru and Jinnah to Modi and
Sharif have watered the seed to help make it grow into a gigantic tree over the
years. Jawaharlal Nehru, like the virtuous man he always was promised a
plebiscite which never took place, because the promise itself was based on a
faulty premise.
Muzzafar Razmi, the celebrated Urdu poet of our times writes in
his Ghazal-
“Yeh
jabr bhi dekha hai taareekh ki nazron ne,
Lamhon ne khata ki thi sadiyon
ne sazaa payi.”
(History has been a
witness to the tragedies that mistakes committed in a moment have brought
sufferings to mankind for over a millennia. Kashmir is a case in point to Razmi’s
scintillating poetry. Trivia: This is one of Manmohan Singh's favourite poems. He often recited these lines during his tenure in office)
Hindustan Times October 28, 1947. Pandit Nehru, Sheikh Abdullah and Maharaja Hari Singh are seen sitting |
The promise of plebiscite in Kashmir, the article 370 of the
constitution abolishing uniform civil code, the Islamic fundamentalism in the
region have made Kashmir an alien to the rest of India. The insurgency which
began in the late 1980s has grown into a hydra headed monster now, further
taking away the sheen off the heaven on earth, which bewitched a person of Jehangir’s
stature, no less. If you are interested to learn more about the Kashmir
conflict and insurgency, without getting bogged down with heavy details, I strongly recommend you to read this insightful 5
part comic
strip on newslaundry.com
Haider: What makes the movie special?
“Catch them by their balls, their hearts and minds will follow”
declares a sign board in the office of Superintendent of Police, Srinagar, in the
movie. It gives us the undercurrent in Kashmir and captures the temper of the armed
forces. The conversations of characters in the movie with wall paintings of “Go
India Go back” in the background, the subtle references to the valley turning
into a gigantic grave yard, makes the viewer think, something that the present
day cinema considers as forbidden territory. My first real understanding of
Kashmir, away from hyper ventilating Bollywood and news media came from Rahul
Pandita’s brilliant book- “Our Moon Has
Blood Clots”. He writes about the heart wrenching tales of Kashmiri Pandits
and how they were forcefully evacuated from their homes in 1990 and the relief
camps in Delhi and elsewhere which became their foster homes. Neglected by the
administration, with nowhere to go, the plight of each of the Pandit families
makes a part of your soul die. Has it made the Promised Land, any better for
the Muslims in the valley? No. Succinctly captured by Vishal Bharadwaj is this
plight of Muslim families, by the usage of ‘Chutzpah’, a word which has its origins in Hebrew.
Shahid Kapoor with the make believe microphone. Courtesy: Google Images |
In one of the most captivating performances of the movie,
Shahid Kapoor after learning about his missing father’s death climbs up the open
air stage on a busy street corner and gathers the attention of the crowd. In a
hysterical fit, he starts with “hello.. mike testing 1..2..3.. hello” speaking
into the rope around his neck. “Kya horaha hain hamare saath?” He asks. Without
waiting for the crowd’s answer he declares- Chutzpah! So, what is Chutzpah? A
thief goes to rob a bank. He points the gun to the manager’s head and asks for
all the money in the bank to be given to him. The manager agrees and hands over
all the money in the bank to the thief. In the very next moment, the thief
walks up to the accounts opening counter and opens an account with all the
newly earned money. This he cries, is CHUTZPAH. Rhymes and jells well with
AFSPA (Armed Forces Special Powers Act) which gives a free hand to the army to
commit brutalities on any suspect, civilian or otherwise.
Kashmir is a film maker’s delight. Whatever be the camera
angle, the director is bound to get a beautiful shot. The picturesque Kashmir
is a constant throughout the movie which manages to keep the viewer excited even when the plot seems
to drag a bit in the second half. Kay Kay Menon, Tabu, Shraddha Kapoor and a
special appearance by Irrfan Khan, cast a spell. The plot is a direct
adaptation of “Hamlet Prince of Denmark” where Hamlet’s father is killed by his
Uncle (his father’s brother). The Uncle now marries Hamlet’s widowed mother. Will
Hamlet take revenge for his father’s murder? Shakespeare captures the moral
struggles that Hamlet goes through and the loneliness that captivates him.
“Haider, meri
inteqaam lena meri bhai se. Uski un dono aakho mein goliyaan taakna, jin aakho
se usne tumhari maa par fareb dale the1”, is the message from his
father. How will Haider go about in pursuit of his father’s wish?
Basharat Peer, an eminent Kashimiri journalist has
co-written the script along with Vishal Bharadwaj. He does an excellent job in
drawing fine parallels of Hamlet with present day’s Kashmir. Vishal Bharadwaj
has made yet another beautiful piece of art, his music, is well music to the ears. Faiz Ahmed Faiz's poetry beautifully sung by Arijit Singh is an absolute delight.
The movie has a message, for me,
for you, for Kashmir before it leaves us- “Tumhe koi azaadi nahi mil sakti jab tak tum apne inteqam
se azaad nahi ho jate2”
English Translation:
1. Haider, take revenge for my death. Shoot my brother in his eyes, the very eyes which cast a deception of lust on your mother's body.
2. You will not be free unless you are free from hatred and revenge.
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